Grafton | Armidale | Goulburn | Tyalgum
4 September - 27 September

String Quartets by Haydn, Mozart & Purcell

  • ★★★★“...superlative playing of what must be music in its purest form.…”

    Limelight, AHE String Quartet, 2023

Skye McIntosh Violin
Ella Bennetts Violin
Rafael Font Viola
Daniel Yeadon Cello

ARTISTS

HAYDN
String Quartet in C major, Op. 33 No. 3 The Bird

PURCELL
Fantasia in 4 parts, Z. 839

MOZART
Divertimento in F Major K. 138

— Interval (20 minutes) —

BOCCHERINI
String Quartet in F Minor G.200

HAYDN
String Quartet in B-flat major, Op. 76 No. 4 Sunrise

PROGRAM

Sunrise, Birds, and Melodies

Haydn’s music has always invited nicknames—rarely from the composer himself, but eagerly assigned by publishers and audiences. Whether or not the misty, ascending lines that open his Sunrise Quartet (Op. 76 No. 4) are meant to depict the break of day, they remain among the most rhapsodic and evocative in his output. That reverie quickly gives way to cheeky rhythmic games, galloping finales, and a Minuet that sounds suspiciously like a hangover.

The concert opens with another of Haydn’s nicknamed gems: the Bird Quartet (Op. 33 No. 3), full of chirping motifs, quicksilver exchanges, and impish humour. Written as the string quartet was beginning its transformation into a serious artistic form, Haydn reminds us it could still laugh at itself.

Between these two Classical pillars comes a brief, introspective glance backward: Purcell’s Fantasia in 4 parts, a miniature masterwork of Baroque counterpoint and restraint. Less formal than his sacred music, it offers a breath of quiet focus amid more extroverted fare.

Mozart’s youthful Divertimento in F major (K. 138), written at just sixteen, sparkles with charm and lyricism. Though originally scored for orchestral strings, it translates beautifully to quartet form—effortless, clear, and refined.

The second half opens with Boccherini’s String Quartet in F Minor (G. 200), a work of understated drama and lyrical depth. A contemporary of Haydn, Boccherini brings a more Mediterranean sensibility—graceful, expressive, and at times surprisingly bold.

To close, Haydn’s Sunrise Quartet distills the wit, elegance, and inventiveness that would come to define the mature string quartet. It’s a piece that opens in awe and ends in exuberance—one last reminder of Haydn’s gift for turning clarity into magic.

ABOUT THIS CONCERT

PERFORMANCES & TICKETS

Thursday 4 Sept, 7pm
Grafton

Clarence Valley Conservatorium
Grafton

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Saturday 6 Sept, 7.30pm
Armidale

The Armidale Playhouse
Armidale

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Friday 26 Sept, 7.30pm
Goulburn

Goulburn Performing Arts Centre
Goulburn

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Saturday 27 Sept, 4pm
Tyalgum

Tyalgum Festival of Chamber Music
Tyalgum

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DEEP DIVE

AHE SPOTIFY PLAYLIST

Listen to further selections from the program on our spotify playlist.

CONCERTS 101: WHAT TO EXPECT

First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au

  • Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.

    It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.

  • Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).

    The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!

    At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!

    When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.

    The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.

    Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.

    At the end of the work, there will once again be a lovely pause while the final notes die away.

    Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.

    You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!

    Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.

    Most of all – listen and enjoy!

  • Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.

    You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)

    We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.

    In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.

    Be sure you have opted in to receive emails so that you get all the info.

  • Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.

    Below is information about what is currently available at our own venues.

    BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.

    BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.

    BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.

    CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!

    CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.

    LAKE MACQUARIE: Tea and coffee, wine and snacks available.

    PORT MACQUARE: Tea, coffee and wine available.

  • Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.

  • Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.

    Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.