ARTISTS

Skye McIntosh, violin
Matthew Greco, violin
Rafael Font, viola
Daniel Yeadon, cello

PROGRAM

HAYDN
String Quartet Op. 33 No. 3 in C major Bird

MENDELSSOHN
String Quartet in E flat major MWV R18

MOZART
String Quartet No. 14 in G major K. 387 Spring

CONCERT DURATION:
Approx 120 minutes with a 20 minute interval

ABOUT THIS CONCERT


Haydn, Mozart & Mendelssohn

5 - 12 March

Leave your scarves at home. For their opening concert of 2026 the Ensemble have decided to bypass Autumn and Winter and let you balmily bathe in sublime sunshine.

We don’t know who christened it Spring but Mozart’s String Quartet No. 14 K. 387 is so fresh you can almost smell the cut clover. The G (for green) major first movement teems with tunes: all four players toss them playfully at each other and, just when you think Mozart’s hooks can’t keep coming, he adds the sweetest little skipping phrase, like a lover impulsively returning for another embrace. Across the other movements, the tears that well during his brief shadowy sojourns are quickly turned to those of joy. The finale, which manages to meld sonata form with a double fugue (!) is so infectiously happy it brings to mind a supremely gifted student dashing off a counterpoint assignment so he can get to a party.

Wolfgang was a wise 28 year old when this quartet was published. To think that Felix Mendelssohn was only 14 when his very much un-published Quartet in E flat MWV R18 was penned, strains all credulity. In maturity it dwarfs even the most precocious efforts of Mozart’s early teens. Not the Eb known as Op. 12 “No. 1”, this quartet, more like his “minus 1”, is rarely heard, but if you haven’t, you’ll think you have: its movements seem to have dropped into being perfectly formed. That’s especially true of the haunting song-without-words-Adagio. Haven’t these melodies always existed? And if its fugal finale tries a bit too hard, what precedes it makes you just want to marvel all the more and bless this wunderkind’s little socks.

Haydn’s chirpy and charming Op. 33 No. 3 is nicknamed in honour of the unidentified bird who twitters throughout the first movement, but it also features a spirited à la russe finale to do in the thighs of its dedicatee (Catherine the Great’s errant son Paul), a glowing and lovely Adagio, and a second movement that’s bizarre even by Haydn’s standards: the Scherzo’s pompous, wheezy old gentleman is scandalously partnered with a sprightly and shrill Trio many years his junior. Well may we wonder at whom Haydn was flipping his bird.

PERFORMANCES & TICKETS

Friday 6 March, 7pm
Berry

Berry Uniting Church Hall,
Berry
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Saturday 7 March, 4pm
Southern Highlands

Bowral Memorial Hall,
Bowral
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Wednesday 11 March, 7pm
Melbourne

Primrose Potter Salon
Melbourne Recital Centre

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Sunday 8 March, 5pm
Sydney

The Paintings Galleries,
State Library of NSW

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18th Century Unpacked: Mozart & Haydn

Special Guest Presenter
Genevieve Lang, with the AHE Quartet

Thursday 5 March, 6pm
Sydney, NSW

The Friends Room,
State Library of NSW

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Thursday 12 March, 7pm
Canberra

Gandel Hall,
National Gallery of Australia

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DEEP DIVE

Learn more about the Composers and Music in this performance from the following links:

AHE SPOTIFY PLAYLIST

Listen to further selections from the program on our spotify playlist.

CONCERTS 101: WHAT TO EXPECT

First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au