The Scott Sisters: Pioneers of Science and Art
ARTISTS
Creative director
Skye McIntosh – Artistic Director of the Australian Haydn Ensemble
Script and direction
Rachel McDonald
Cultural consultant
Aaliyah-Jade Bradbury
Animations
Studio Gilay
Animation directors
Melissa Azizi and Christopher Tan
Lighting designer
Roderick van Gelder
Musicians
Australian Haydn Ensemble – String quartet
Cast
Tierney Clark
Madeline Flood
Ren Watson
Najwa Adams
MUSIC
Selected Extracts from Beethoven String Quartet Op.132
Elena Katz-Chernin Butterflying for string quartet
MARAIS Les voix humaines for cello
Tullia Cairns Ripples and Reflections for string quartet
ABOUT THIS EVENT
The Scott Sisters: Pioneers of Science and Art
Friday 25 September - Sunday 27 September
Conceived and created by Skye McIntosh (Artistic Director of the Australian Haydn Ensemble), this immersive new multimedia work is inspired by the lives of 19th-century illustrators and naturalists Harriet and Helena Scott and their acclaimed ‘Butterfly Book’, Australian Lepidoptera and their Transformations. Drawing directly from the Library’s collection, it blends exquisite animations, theatrical performance and live classical music performed on period instruments.
Following the tale of an extraordinary family whose legacy helped shape Australia's scientific, artistic and cultural history — and inspired by original artworks, letters, books, manuscripts and family papers — the production travels across close to a century. From Regency England and the bushlands of Ash Island to the creation of the Mitchell Library itself, The Scott Sisters explores the enduring connections between science and story, art and nature and the many ways of observing, understanding and preserving knowledge across generations.
Performed by the Australian Haydn Ensemble, with an exceptional cast directed by Rachel McDonald, stunning animations by Studio Gilay, and music by Ludwig van Beethoven, Marin Marais, Elena Kats-Chernin and Tullia Cairns, this evocative new work reimagines the Library's collection into a multi-layered live experience, celebrating curiosity, transformation and the enduring power of stories to connect us all.
PERFORMANCES & TICKETS
Friday 25 September 7pm
Sydney
State Library of NSWl,
Library Auditorium
Get single tickets
Saturday 26 September 2pm
Sydney
State Library of NSW,
Library Auditorium
Get single tickets
Sunday 27 September 2pm
Sydney
State Library of NSW,
Library Auditorium
Get single tickets
Saturday 26 September 6pm
Sydney
State Library of NSW,
Library Auditorium
Get single tickets
“The exquisite illustrations of the 19th-century naturalist-artists Harriet and Helena Scott have fascinated me for years. This new work brings them to life through beautiful animations, a newly commissioned theatrical script accompanied by performances of Beethoven, Marais and others by the Australian Haydn Ensemble. It is my hope that through this work audiences will experience their extraordinary artworks in a new way while discovering the wider history preserved within the Library’s collection. Bringing these works to light in this way has been an incredible privilege.
”
CONCERTS 101: WHAT TO EXPECT
First time attending a concert and not sure what to expect? Don’t worry! Scroll down to find out about attending an AHE concert. If you have questions that you don’t see the answer to here, send us an email and we’d be happy to help. Contact one of our friendly team at: info@australianhaydn.com.au
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Firstly, you should know there are no rules. Going to a concert can be a great time to glam it up. If that feels right, then go ahead – there’ll almost certainly be plenty of others dressing up.
It’s also totally fine to come in jeans – and plenty of people do. The only real “rule” is to wear something that’s comfortable.
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Don’t worry – nobody is going to get into trouble for clapping in the “wrong” place. The only real rule is not to clap while the musicians are actually playing (as other people can’t hear them).
The thing to know is that applause conventions have changed over time. People used to talk all the way through the opera in the 1700s, and we don’t tend to do that now!
At AHE, the music we play will often come to the end of a section (known as a movement) with what feels like a ‘big finish’. It’s like the composer is begging you to respond. And in days of old, they may well have shouted or clapped or cheered at that point!
When that happens, and you “accidentally” clap and not many others do, you have done nothing wrong! Just sit back and let it all sink in. You may still feel the vibration of the music in the air, and it can be quite a magical moment.
The performers will be getting ready for the next movement, which may have a very different feel to it. That’s all part of the journey of the piece as a whole.
Think of it like a book, with each movement like a chapter. You save your Goodreads five-star review for the end – and that has now become the convention for clapping at concerts.
At the end of the work, there will once again be a lovely pause while the final notes die away.
Watch for the body language of the players and let that be your guide. The majority of people around you may also start clapping too – so that’s always a good sign to let go and express yourself.
You don’t have to hold back at all now! Feel free to clap as loud and long as you like, cheer or you can even stamp your feet on the floor while you are still seated if you really loved it!
Sometimes you’ll see people standing up and clapping too (called a standing ovation). You don’t have to do this, but when and if you do, just know that it’s the highest honour an audience can give the musicians and a sign of maximum appreciation.
Most of all – listen and enjoy!
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Each performance has a detailed concert program that explains the history of the composers, the music and provides information about the musicians.
You can pick up a concert program at the performance or read it online a few weeks before the concert. Once, available, we upload it to our Concert Programs page and include it on the event page (above)
We also try to provide information about the music in the lead up to a concert on our website, social channels and via emails.
In our ‘Deep Dive’ section (also on this page for each concert), you will find links to various background information pages that will help to give you more insight into the works and composers on the program.
Be sure you have opted in to receive emails so that you get all the info.
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Yes, depending on the venue. The availability of refreshments varies from venue to venue and changes from time to time.
Below is information about what is currently available at our own venues.
BERRY: In Berry, we have community-led catering which usually includes tea and coffee, wine, cakes and snacks served by our wonderful local supporters.
BOWRAL MEMORIAL HALL: Delicious pre-concert and interval homemade treats are provided by the CWA. Alcohol is not currently available. There are gluten-free options and you can pay by cash or card.
BURRAWANG, SCHOOL OF ARTS: In Burrawang, we have gorgeous community-led catering which usually includes tea and coffee, wine and snacks served by the wonderful hall committee.
CANBERRA: Wesley Music Centre. Interval tea and coffee is on the cards for this venue in the future!
CITY RECITAL HALL: In Sydney, the City Recital Hall operates a full service bar before the concert and at interval. You can even take your drink inside the concert! Note that the City Recital Hall is a cashless bar. More information on all the dining options and bars is available here.
LAKE MACQUARIE: Tea and coffee, wine and snacks available.
PORT MACQUARE: Tea, coffee and wine available.
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Between pieces definitely. Our instruments aren’t amplified so we ask you to respect everyone’s experience and that you don’t talk whilst the musicians are playing.
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Photos are fine between pieces and when the musicians are bowing at the end of pieces, provided the flash is off.
Our musicians are concentrating hard whilst they are performing though, so we ask that your phone is off and away during the performance itself.