Mozart, Haydn & Mendelssohn

March 4-15, 2027

A special program in memory of the 200th anniversary of Beethoven’s death. Experience his first and last string quartets with the Op. 18 No. 1 & Op. 135.

120 mins including interval

Program & Artists

“When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him.”  

Jonathan Swift’s quip could have been written about the quartet that kicks off AHE’s 2027 season. If it’s new to you, Mozart’s Dissonance is not some forerunner of Bartok: the “execrable” passage that provoked music-lovers to cover their ears (and several generations of pedants to reach for their red pens) lasts a mere 22 bars. The slow intro to the finale is mysterious and enigmatic but what follows is a wealth of crystal-clear C major jollity. The whole quartet is a delight, if far from lightweight (the closing minutes of the slow movement are so beautiful they hurt the heart, not the ears).

No. 19 was the youngest of the six “children” Mozart presented to his idol and new friend Haydn in 1785. At a private premiere, the dedicatee was astounded by the quality and audacity of this tribute. No dunce’s cap for Joe. But, as music’s greatest “class clown” he probably still earns a spot in the corner.

The second of his Op. 33 quartets is called The Joke despite the punchline being delayed to its last “is it or isn’t it over?” bars. Of course, the composer’s eye twinkles throughout this attractive piece, but it also boasts some serious innovations and masterly writing.

40-odd years on, another musical prodigy, Felix Mendelssohn, was among the few who failed to partake in the howls of horror that greeted Beethoven’s last quartets. Aged only 18, he used them as models for a miraculously mature work; his No.2 in A minor. Brimming with immediately compelling musical ideas, it sings like a passionate opera without words.

These three staples of the world’s finest foursomes can here be savoured on glorious gut without the need for air-travel. Let the Ensemble escort you to the top of the class.

Performances

Melbourne Recital Centre

Wednesday 10 March, 7pm

Canberra, Gandel Hall

Thursday 11 March 7pm

Berry Uniting Church Hall

Friday 12 March, 7pm

Bowral Memorial Hall

Saturday 13 March 4pm

Sydney, ACO On The Pier

Sunday 14 March, 4pm

AHE CONCERT PLAYLIST

Listen to selections from the program on our spotify playlist.

DEEP DIVE

Learn more about the Composers and Music in this performance from the following links:

CONCERTS 101: WHAT TO EXPECT

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